Stan VanDerBeek

American experimental filmmaker Stan Vanderbeek began his career in the 1950’s after having studied art and architecture in New York and North Carolina.

His earliest period (1955-1965) is marked by his animated painting and collage films which the artist and critic Daryl Chin regarded as having an “enormous vitality, bounding inventiveness and incendiary wit which was shared by such other collagists as Robert Breer, Bruce Conner, Dick Preston.” Films such as Science Friction (1959, 10’), Breathdeath (1963, 15’), A la Mode (1959, 7’) and Achoo Mr. Kerrooschev (1960, 2’) are from this period.

In the 1960’s, in the context of his expanded cinema research, Vanderbeek started his audacious project of the “Movie Drome” theater, a space that allowed him to create an appropriate environment for his synesthetic works, which included film, performance and dance among other disciplines. The filmmaker spent about 10 years developing this project, which consisted of a huge dome that surrounded the audience and engulfed them in the images projected all around them.